This song, which was written for an early draft of the show and is included on the concept album made during the show’s pre-Broadway stages, is haunting, devilishly erotic and infused with pure, irresistible evil. It’s arguably even an improvement on Frank Wildhorn’s earlier attempt at the same effect, in Hyde’s numbers “Alive” and “Dangerous Game” from Jekyll and Hyde. However, I understand why they ultimately replaced it with “Where’s the Girl?”. Both songs are seductive solos for primary villain Chauvelin, and both are absolutely exquisite songs, ranking with the best material Wildhorn ever wrote. The difference is that “Marguerite”, as stated, is deliciously and palpably evil, and the creators ultimately decided they wanted to portray Chauvelin as more of a tragic, misguided antivillain, a corrupted former hero who didn’t quite notice the point at which he turned into the bad guy. As such, “Where’s the Girl?” is a straightforward and rather sweet love song that doesn’t sound villainous at all, and it establishes this man as not evil by nature and his love for Marguerite as genuine. It also allowed for an intense and angry reprise when Chauvelin finally goes over the edge into unambiguous villainy, something that would have been extremely difficult to do with a song that was already as evil-sounding as “Marguerite”. This song is an interesting illustration of how a genuinely good song may not be right for a particular moment for reasons unrelated to it’s quality, but I will say I am genuinely happy that it did get preserved on the concept recording, because dramatic issues aside, it really is one of the best items written for this show.